Learning To Listen To The Real Refugees: An Exploration Into The Wider Message Behind Candice Breitz’s 2017 Biennale Showcase

Elspeth Walker

Edited by Veronica Vivi

Illustration by Alice Tyrell

In 2017, artists Candice Breitz and Mohau Modisakeng showcased for South Africa in the Venice Biennale country pavilion. Both used film installations and/or photography to create poignant pieces of work. For her piece, Breitz looked at refugee narratives within the wider context of identity under capitalism – a prevalent theme throughout the art exhibitions.

Breitz is an artist renowned for her video installations that mix both mainstream media and Hollywood cinema to create out of context work delivered by famous actors, often against a blank screen. This style is evident in her work exhibited in the pavilion.

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Perfect Little Mouthfuls

Phoebe Anson

Edited by Muireann Crowley

Illustration by Holly Summerson hollysummerson.wix.com/arts

Recently, I started searching for interesting contemporary writers for my creative writing module. This was so I could draw inspiration from up and coming writers to improve my own writing. I came across Patricia Lockwood, an American essayist and poet. Her poem ‘Rape Joke,’ (2015), was the work that first invited me to explore her comedic and absurdist style of writing. Drawing on her own experience, Lockwood, in ‘Rape Joke,’ presents the common stereotypes associated with rape incidents and the perpetrators themselves, questioning whether it is acceptable to joke about sexual assault. Reading this persuaded me to buy her collection Motherland Fatherland Homelandsexuals (2014) in which she tackles many current topics, like the media, gender and identity, in a fascinating and innovative way, making her work relevant to contemporary society. The poem I will be focusing on in this essay is ‘Perfect Little Mouthfuls,’ in which she presents the current issue of the impact of societal expectations on young girls, which I feel is very relevant today, especially with the power of the media in contemporary society.

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March 2018 UPDATE

The Project Myopia team has some announcements to make!

We’ve had a wonderful year. Since our launch in 2017, funded by the University of Edinburgh’s Innovative Initiative Grant, we’ve uploaded a legion of essays, and have amassed tens of thousands of clicks from around the world, as more and more people become interested in diversifying their university curricula. We’ve been shortlisted for and have won several awards. We’ve run numerous educational events in Scotland. We have afforded opportunities to numerous fantastic artists. We’re incredibly proud of the site.

We can now announce that Project Myopia has successfully applied for – and received – arts funding to keep the site running, and to grow bigger and better than ever! Thanks to the London Arts & Humanities Partnership, Project Myopia will continue to challenge overly pale, male, and stale curricula the world over.

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