Moonlight

Fatima Seck

Edited by Maria Elena Torres-Quevedo

Art by Fatima Seck

In a year and a half of studying anthropology I’ve gathered one thing: apparently, LGBTQ folk do not exist.

With the exception of an optional reading about transgender sex workers in Brazil, and a discussion of the Vezo sarin’ampela, (described as men who live as and become women), I have not yet had the opportunity to learn about queer identities in my degree programme. Anthropology is a discipline characterised by breadth: quite literally anything can be studied anthropologically, and I appreciate that consequently, our studies must have certain limits and constraints. However I simply cannot accept that in the study of humanity — one guided by the question of what it means to be a person — LGBT+ identities do not have their rightful place. With the rise of incisive, beautiful and creative media by folks of marginalised backgrounds there is no shortage of content from which we can study queer folk, and I hope we can make these productions significant parts of our curriculum.

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Launch Night Excerpts

Art by Priyanka Meenakshi https://www.priyankameenakshi.com/

We celebrated Project Myopia with a beautiful launch event towards the end of semester 2. It was a night of music and poetry, as well as an opportunity for some of our contributors to elaborate on their essays and ideas. Our performers touched on a wide range of serious issues: from the exclusion of racial minorities’ contribution to the canon of literature, to the oppressive nature of zero-hour contracts that prevent tutors from being able to fully engage in helping all students get ahead, let alone those from a minority background who need assistance most. We’re incredibly grateful to everyone who performed and shared their experiences, and we also have to thank everyone who attended and helped us drink the wine we provided! Project Myopia aims to bring marginalized people together and amplify their voices, and our launch felt like a perfect culmination of our semester’s work: people came together and shared their experiences of an academic world we need to change.

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Selena

Izzy Bravo

Edited by Carolina Palacios

Art by Laila Borrie https://www.facebook.com/underthepeacocktree/

Each year in March I see a wave of young Latinas on social media expressing their love for Selena, as they share images of their Selena-inspired make-up, Selena outfits for the Selena club parties, and plans to watch Selena, the 1997 film that chronicles the short life of Selena Quintanilla. Why March? March 31 is the anniversary of Selena’s death, which occurred in 1995. And for any young Latina who grew up dancing to Selena’s “Como la Flor” in their living room, March is an important month to remember those days and the unhinged hope for a music idol. I grew up listening to Selena and have memories of my sister singing along to “Como la Flor” when it played in the radio. I can also recall trying to hide this fandom in a poor attempt to assimilate to the American culture I was learning in grade school. It was not until my first year of undergrad that I noticed it was suddenly okay to be Latino.

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J’ai tué ma mère (I Killed My Mother)

Ananya Sen

Edited by Karli Wessale

Art by Edith Pritchett https://www.instagram.com/edithpritchett_art/

French-Canadian actor and director Xavier Dolan’s debut film, J’ai tué Ma mère (I Killed My Mother) released in 2009, when he was twenty years old. Dolan is a self-proclaimed gay actor, director, writer and costume designer. J’ai tué ma mère has won the hearts of many critics as it depicts, in a highly Bildungsroman fashion, a love-hate relationship between a teenage son and his mother. Recently, he has made a name for himself with his 2016 movie Juste la fin du monde (It’s only the End of the World). The movie won the Grand Prix at the Cannes Film Festival and several other awards. While he is best known for Mommy, released in 2014, in this article, I will focus on J’ai tué ma mère and attempt to justify the need for this movie to be a part of the university syllabi.

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“The Danger of a Single Story”: A Speech By Chimamanda Ngozi Adichie for TED Talks

Maggie Hunt

Editing by Maria Elena Torres-Quevedo

Art: ‘Aunty’ by Olivia Twist

http://www.yesoliviatwist.com/

In “The Danger of a Single Story,” Chimamanda Ngozi Adichie warns against the misunderstanding of others, noting how generations of misrepresentation and stereotypes have dominated mainstream Western society. A consciousness of this issue is crucial to contextualising literature, media and their transmission in academia and in life. This TED Talk is a lesson in challenging these ‘single stories,’ and Adichie’s experiences of and insight into the subject illustrate the problems single stories create.

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Chewing Gum

Maygan Eugenie Forbes
Editing by Rianna Walcott

Art: ‘Relax Yourself’ by Olivia Twist

http://www.yesoliviatwist.com/

The first episode of Michaela Coel’s Chewing Gum opens with Tracey staring longingly at the crotch of her righteous boyfriend whilst he prays away impure thoughts, a scene frequently intercut with a frenzied montage of Tracey in orgasmic throes with her lover. She is swiftly brought out of her fevered daydream and shoved back down to Earth, when her celibate partner ends the prayer with a clipped “Amen”.  As she is leaving her boyfriend’s house, Tracey turns to the camera and says, “sometimes he lets me stay and watch him sleep, I could never do that though because when I sleep I get wet dreams.”

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