Cooking Dinner for Adam Smith

Elizabeth Dietz

Edited by Rianna Walcott

Art by Arta Ajeti https://www.instagram.com/artawork/

“It is not from the benevolence of the butcher, the brewer, or the baker that we expect our dinner, but from their regard to their own interest”. Adam Smith famously asserted the rational features of man in The Wealth of Nations in 1776, and inspired a constellation of theories on Homo Economicus that would come to define the field of Economics.  Over two centuries later, journalist Katrine Marçal wonders if these claims hold true. In Who Cooked Adam Smith’s Dinner? (2016) she points out that Adam Smith in fact had his dinner made by his mother, Margaret Douglas. Why did she make her son dinner? Not simply because of rational self-interest, thinks Marçal, as she develops a feminist critique of economic rationality. What could this perspective add to how we understand the economy? Perhaps it is time Economics students found out.

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J’ai tué ma mère (I Killed My Mother)

Ananya Sen

Edited by Karli Wessale

Art by Edith Pritchett https://www.instagram.com/edithpritchett_art/

French-Canadian actor and director Xavier Dolan’s debut film, J’ai tué Ma mère (I Killed My Mother) released in 2009, when he was twenty years old. Dolan is a self-proclaimed gay actor, director, writer and costume designer. J’ai tué ma mère has won the hearts of many critics as it depicts, in a highly Bildungsroman fashion, a love-hate relationship between a teenage son and his mother. Recently, he has made a name for himself with his 2016 movie Juste la fin du monde (It’s only the End of the World). The movie won the Grand Prix at the Cannes Film Festival and several other awards. While he is best known for Mommy, released in 2014, in this article, I will focus on J’ai tué ma mère and attempt to justify the need for this movie to be a part of the university syllabi.

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Gilmore Girls

Nadia Mehdi
Editing by Vicki Madden

Art: ‘Young Mother Sewing’ by Mary Cassatt

Gilmore Girls is a charming, idyllic television show with a large millennial fan base. The series focusses on mother-daughter duo Lorelai and Rory and their lives in the quirky New England town of Stars Hollow. Lorelai conceived Rory as a teenager and fled both her boyfriend and her wealthy, overbearing parents to raise Rory alone whilst living and working as a maid at an inn. At the outset of the show, we find Lorelai reaching back out to her parents, who have never quite forgiven her for cutting them out of her life, to ask for a loan to pay for Rory’s new private school (Rory is an archetypal brainiac with ambitions of studying at Harvard). From there onwards the show explores themes of family, friendship, work, love, ambition and all the small things that add up to make a life. Viewers most often describe the dynamic between Lorelei and Rory as more like best friends than mother and daughter – which is in fact the way creator Amy Sherman Palladino originally pitched the show (Lockett 2015) – and the Gilmore girls do indeed support each other through their individual and shared problems as best friends would. But the show is also a more general exploration of women and their relationships of all kinds, good and bad.

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