Moonlight

Fatima Seck

Edited by Maria Elena Torres-Quevedo

Art by Fatima Seck

In a year and a half of studying anthropology I’ve gathered one thing: apparently, LGBTQ folk do not exist.

With the exception of an optional reading about transgender sex workers in Brazil, and a discussion of the Vezo sarin’ampela, (described as men who live as and become women), I have not yet had the opportunity to learn about queer identities in my degree programme. Anthropology is a discipline characterised by breadth: quite literally anything can be studied anthropologically, and I appreciate that consequently, our studies must have certain limits and constraints. However I simply cannot accept that in the study of humanity — one guided by the question of what it means to be a person — LGBT+ identities do not have their rightful place. With the rise of incisive, beautiful and creative media by folks of marginalised backgrounds there is no shortage of content from which we can study queer folk, and I hope we can make these productions significant parts of our curriculum.

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Launch Night Excerpts

Art by Priyanka Meenakshi https://www.priyankameenakshi.com/

We celebrated Project Myopia with a beautiful launch event towards the end of semester 2. It was a night of music and poetry, as well as an opportunity for some of our contributors to elaborate on their essays and ideas. Our performers touched on a wide range of serious issues: from the exclusion of racial minorities’ contribution to the canon of literature, to the oppressive nature of zero-hour contracts that prevent tutors from being able to fully engage in helping all students get ahead, let alone those from a minority background who need assistance most. We’re incredibly grateful to everyone who performed and shared their experiences, and we also have to thank everyone who attended and helped us drink the wine we provided! Project Myopia aims to bring marginalized people together and amplify their voices, and our launch felt like a perfect culmination of our semester’s work: people came together and shared their experiences of an academic world we need to change.

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Toyin Odutola

Fatima Seck

Edited by Rianna Walcott

Art by Fatima Seck

Contemporary anthropology is seldom malicious. Today’s anthropologists go to great lengths to remove themselves from the insidious origins of the discipline — no longer is anthropology a way to mock and ogle a ‘savage’ other. Indeed, anthropology has evolved to allow an extremely empathetic — maybe even beautiful — relationship between ethnographer and ethnographic subject to be the centre of its praxis.

To assume however that this empathy reaches the student is perhaps the most myopic practice of today’s anthropology. Ethnographic research inevitably travels across an academic landscape of anthropologists, notebooks, academic journals, lecturers and students. In this process, studied cultures become commodified, and even further, there is a tendency to uncritically assume the absence of the anthropologist’s voice. People who are empathetic subjects to the ethnographer become canonised objects to the student — teaching anthropology thus becomes a process of objectification.

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